There are people
who go behind publicity but have you heard of Publicity go behind people ? That
is “V.PAL” for you. Since many of my readers outside Nagarathar community may
not know who V.Pal is I am going to give a brief summary about him. V.Pal
(Venkatachalam Palaniappan) is residing in Toronto, Canada and is a very prominent
figure amongst Tamil community in Toronto area. He has got natural talent when
it comes to Directing Tamil Skits/ writing Poems/ Kavidhais etc., Nagarathar Retreat
is something that happens once in two years during Independence day weekend and
nagarathars all over US and Canada try to attend the gathering. V.Pal’s skit is
much sought after and there is always sky level expectation like a Thalaivar
movie and still he manages to deliver blockbusters skits every two years. For
this reason he is super popular amongst Nagarathar community in USA and Canada.
If style and Thalaivar go hand in hand then popularity and V.Pal go hand in
hand.
Now let us know about V.Pal bit closer. He
started his career in India in Banking sector and when he was Regional Head for
a leading private bank opportunity knocked his door and he migrated to Canada
in early 2000’s. He is currently working as a Marketing Manager in Toronto area
and those who have seen him would you believe he is into his later 50’s ? Both
his daughters are married and he also has two grand children. If you look at
his Whatsapp profile picture it may look like a freshly passed out M.S
candidate who wants to pose with sea as the background purely to impress Girls
? No kidding …How does he look youthful ? Well he does Yoga, Meditation and he
also uses ‘Powder’ quite a bit. Power naps are also one of the secret for his
Youthfulness. Nagarathar community is quite small community and as far as my
knowledge goes there are roughly around 40000 families throughout the globe. There
are many prominent personalities in many different fields but if you take ‘Live
Drahma’ (not Cinema) I am not sure whether there are people who are equipped
with more talent than V.Pal; V.Pal has got some raw natural talent and since my
wife has got more stampings (Canada Visa) than how much Senthil got from
Goundamani I was lucky to be part of many such gatherings and enjoy his company
whenever I visit Minu in Canada. Life and Stress looks like are directly proportional and
apart from enjoying Raja sir music as my companion one other thing which I love doing
is to watch his skits in bits and pieces in Youtube to bring that curve on my face.
So according to me he is Crazy Mohan of Nagarathar community.
So when did V.Pal start doing skits ? It all
started in Detroit Retreat in 2007 and no looking back since then. Also during
events like Tamil New Year, Mother’s day, Pattimandram, Father’s day, Diwali,
Pillayar Nombu his presence is felt and he has done some impromptu performances
and brought the house down which just reiterates the fact this man has been
blessed with natural talent. His skits are played at various locations –
Centenary celebrations at Coimbatore Nagarathar Sangam, Reception in Chennai etc.,
Just like how Sun TV was a pioneer in privatizing television channels in Tamil
Nadu, V.Pal’s skits were pioneer on so many Nagarathar drahmas that took place
all over the globe. People took his template – characters, dialogues, Context
and made minor changes only to become a hero in their own group.
Now million dollar
question ..What makes his skit work big time amongst the audience? Here are my
views
[1] Break the Stereotype: On a circular playground if
everyone walks clockwise it is very natural that you are bound to be back of one
another and this could hamper your pace. How about you walk anti-clockwise ?
This is what V.Pal does as he gets the basics right. When every drahma group
think about Appatha, Aiya characters which has become very redundant these days
he comes up with a plot which is still nagarathar oriented but injects
freshness into the plot. Also very natural for drahma groups to have recorded
voice in background and have characters just come and act but V.Pal is one
person who insists on Live drahma ..In fact one of the Retreats he declined to stage
his drahma since there were technical difficulties in getting the mics for
everyone, organizers had to re-schedule his skit to a different day
[2] Make Lady Character strong: This is a simple
Thumb rule ..give Lady character a meaty role and your skit is bound to reach
masses. “Appatha” character in ‘Ponnu Pudichiruku”; Sindhu Senthilnathan,
Vasantha Valliappan, Dr.Muthulakshmi
characters in “Enga Appachi Sandhiki.... Ellarum Vaanga”; Valli Adaikappan
character in “Ikkaraiku Akkarai pachai” are all so very well written.
[3] Camaraderie in Group: V.Pal drahma makes sure
real and reel spouses are shuffled …bachelors are turned senior achis …People
not getting bothered about their ‘Image’ in Stage are some of the features.
Long story short people get into skin of the character ..
[4] V.Pal and Spontaneity: If you carefully observe
his plays many magic moments are created then and there …when people laugh loud
at auditorium V.Pal goes crazy and he comes up with many dialogues which were
not there originally in the script ..this becomes challenge for other
characters in the frame as they are unaware of how to react to his counter
dialogues but people somehow manage. One classic example is Dining scene in “Enga
Appachi Sandhiki.... Ellarum Vaanga”
[5] Slice of Life: V.Pal also does pull real life
examples and once audience connect and relate to the dialogues smile becomes
laugh. Example: The dialogue when he says “Vadai Vellai Paniyaram ellam eppo pichu
pichu podraanga” garnered so much laughter since audience related to what
happened on that day and also when he says “Eppo evunga ellam nenaichadhu
maariya ponnu kedachudhu ..kedaicha tha vechu evlo santhoshama illa” it brought
whole house down and in fact skit was almost paused for few seconds for people
to complete the laugh.
Now coming to
Challenges …well V.pal’s skit gets so much attention and this could even bring
down the potential due to the pressure. V.Pal puts in so much of effort since
he feels with no close up shots, and technological restrictions the only way he
can connect with audience is dialogues and how people deliver on stage. He
religiously practices and is always a tough task to pull people together for
practice sessions. Moreover he has to write characters based on who is
participating in Retreat. The way he comes up with Characterizations for
Mr.Balan, Annamalai annan, Mr.Subi are incredible and just shows he has good
creative mind. Also none of his drahma members have prior experience acting in
drahma and it is wonderful to see him give dialogues for every single individual
attending Retreat from Canada.
Stage is set for
his drahma in July 2019 which promises to be Grand mother of all Retreats. Am
looking forward for his drahma …..In fact whether a young mom who wants to feed
her child or 60 + who want to take Crestor/Metformin everyone would finish off
their task before Canada play. If at all there is one empty chair during his
play I can guarantee there is some mechanical issues with the chair. I just
wish if a Psychologist can be able measure the happiness in an environment through
some instrument since I bet a place where V.Pal skit is running is a place
where Happiness index would be saturating.
For all friends who haven’t seen his plays, here are the
URLs of his Blockbuster Skits (Knowing Nagarathar community to some extent will help you
relate more to the dialogues )
Detroit Retreat : https://www.youtube.com/watch?v=Y_8qTrHUFgU&feature=youtu.be
New Jersey Retreat: https://www.youtube.com/watch?v=Xm2t0UXyq7M&t=295s
California Retreat: https://www.youtube.com/watch?v=zWFye85N_KU
Boston Retreat: https://www.youtube.com/watch?v=v1Rfk2Petpc&t=871s
This space reserved for D.C Retreat …….